I give myself these projects because I’m not in an MFA program with actual assignments. And if I didn’t make up assignments (ex: sestina, Postsecret flash fiction, one more page in the notebook), I would probably just go on thinking maybe someday I’ll write that thing about a thing. And it’d be brilliant when I did. But I know better: between here and brilliant is a lot of workhorse.
In five weeks, I managed just over 18,000 typed words total, a thousand of which are wails and whines and a couple of thousand more of which are stutter starts. Some of those stutter starts might find their own finish, someday. Two of the starts are third or fourth goes at stories that are kicking around upstairs, looking for a way out, but unwilling to be rushed. One week isn’t enough time and five thousand words not enough space for either story.
Here is what I gleaned:
Knocking out a story without pretense is fun. I like to start stories with the idea that someday readers (like, hundreds or thousands) will read the piece and love it because in the turn of ten or twenty pages, they are transported / connected / entangled. Up front, I demand a lot from an itty bitty five hundred word start, putting immense pressure on everything that follows. Such an unfair and un-fun way to draft! Telling myself that all of these stories were only practice gave me no obligation to consider revision or submission.
Still, I like to practice revision too. One or two of my Fiction Workhorse drafts will give me that.
My 1000-5000 word parameter is on the low, low end of short fiction. During the first two weeks, I was reading a lot of published short fiction and noticing how long most of the pieces are. For one-a-week, 1000-5000 is easily done. I spent between three and five hours writing each draft, including light edits. More hours if you count headspace.
Working on a story in my mind before going to the page is a great strategy. The challenge from one week to the next was dropping the previous draft and its characters and finding a new story. I took a day or two after finishing a draft before starting the next, but that time wasn’t wasted. I was looking for what might turn into my next draft: BBC, news, podcasts, overheard conversations. When an idea came, I let it sit for a day. I’d go to my notebook and write a few notes, but not much more. Then, if I came to a turn while drafting, I took a break from typing and l played out a scene in my head. Try visualizing a scene a few different ways before choosing the better option to write. Take notes on the other possibilities if you want to revise later.
Fiction Workhorse was a good time. I almost missed writing another short fiction piece this week. Almost.