The Holy Posture Of Whatever

Last week I interviewed for a teaching position at our school. For international educators, autumn is a season of big decisions and Justin and I already made ours, signing on to stay in Korea for two more years, but then I had the opportunity to apply to return to a high school English classroom. When we left Kuwait, there was no English position open for me at our new school, and I was relieved for the year rest. A year in the utility department allowed me to see the elementary, middle and high school equally. I learned more about our school. I am glad to be at our school for the many ways I see learning happen, for the many colleagues I observe and collaborate with. This time last year, I was energized by the newness of every day. When asked if I was interested in joining the middle or high school staff, I declined to apply. I liked the fun of each day different. I liked the work I was doing with school publications. This time last year I didn’t think what I might want now, during my second year as a full time substitute, when the unpredictability of each day is more tiring than energizing. So when talk started of who was staying and who was going, I listened for rumors of English teachers whose contracts were up and wondered if I might fit with the department.

Fit is one of my idols. In college I roamed from one group to the next. This is a fun way to learn a little about a lot. And after college when I was keen to move abroad, my secret hope was to find a place where I fit perfectly. I imagined cobbled streets and sun dappled sidewalk cafes. I imagined solitude. I imagined a crowd happy to land me in their crew.

But now when I thought of how I might fit in the English department, I was a little nauseated. I couldn’t dredge any storyline of how my presence was essential to the department, or how wonderful the school day would be, to have my own classroom. To open my own door each morning, to greets students I know, to know where the projector remote is kept, to always have a tissue box. I can picture returning to the classroom. My year away (and this second year away) from teaching literature and writing confirms I really like teaching literature and writing. Yet I cannot pretend that I am absolutely the best fit for a teaching position at our school because I know two things: I would do well, and so would someone else. I was nauseated at the thought of fitting not because it was the idea I might fit the English department or fit the needs of our students or fit the high school community, but because I already do fit where I am. As kindly pointed out by a friend when I lamented this chase to find my place. Why do I question where I am? I am here. And so this is where I belong.

I am here in Korea for two more years. Maybe longer. As long as I am here, I am right where I belong.

Unfinished. A week or two before the announcement internal openings I was laying in bed one night when I felt my upper body slowly paralyze. I lay still for a moment. The sensation is familiar, born of fear. Two years ago at the start of our job search to leave Kuwait, I woke in the middle of the night to pins and needles across my chest, down my left arm and most alarmingly, in patches on the left side of my face. I called my dad who the summer before suffered Bell’s palsy. I thought maybe that was it, that or a stroke. The pins and needles did not indicate palsy or stroke, only anxiety at a new height.

I like to think I am calm. I like that idea that following Christ grants peace that passes understanding. So that night a couple of weeks ago when my upper body went numb I sat up, flexed my fingers, rolled my neck and said to the dark, Where is my peace?

Rolled into this present experience is a past hurt and a potentially wrong conclusion. Two years ago I was set to go to Kenya. I remember a near maniacal hope. I remember believing that since I wasn’t seeking anything overtly wrong for my life or my family, since I wasn’t scrambling for money or comfort, that my want had to be answered by a move to Nairobi. This could not possibly counter what God had in mind for us. But we did not get hired by a school in Kenya. Instead, in the days after that option closed, I cried and wondered what am I supposed to want. This question persists. What am I supposed to want? What do my desires matter? When we planned to leave Kuwait, Justin and I made a list of wants. Our kids added to the list too. We wanted to bike to school. I wanted to run outside. Claire wanted snow. One night after losing Kenya, I could not sleep. I walked through our dark apartment and stood at the big windows where I watched the cars and buses below. I stood in the middle of our playroom. I wept. I was so sad. When I think about this night, I am there again. I could not see how the months ahead would open to where we are. For me to even consider where we are now, I needed to absolutely lose the chance of going where I thought we belonged. A day or two later, we got an email from Korea.

The same friend who kindly reminded me I fit where I am, at the outset of this current search, also said to me, Trust the process. He may have said this half jokingly. Let go and let God, he said, Trust the process. Years ago in Colombia I worked with a couple who eventually left international teaching to open a Bikram yoga studio in southern California, and when I saw Katy in her new life wearing a tee shirt that said Trust The Process, I wanted the shirt. I’ve long adored the idea of process, if not the real in-the-middle work of process. My notebooks are full of the reminder to trust the process. Faith works out through experience. Writing is crafted during revision. Relationships strengthen or break by the addition of a day, hardship, disagreement, joy. Raising my children is an illustration of process. Such comfort to know I am yet unfinished.

But what process do I trust? This last week, before and after interviewing for a teaching position, I practiced articulating what I want to say about this current process, my waiting to know what more the next two years in Korea might hold. There is God at work. There are people at work. There is a lot I do not know about what happens if I teach literature and writing, or what happens if I remain in my current role at the school. And I can see both ways working well.

Losing Kenya comes back to me now as caution not to want too much. Losing Kenya comes back to me now as a question of what I really want. Losing Kenya comes back to me now as a rebuke that I may not know what I most need. That was my angst when my friend grinned and said, Let go and let God. Trust the process. We play glib about this. But I’ve come around to the glib repose of whatever. I want to teach so I applied to teach so I interviewed to teach so I wait to teach. But whatever. Next year I will teach or not teach, and I cannot say now. Losing Kenya may have wrecked me for hope in me, and perhaps that is the point. I continue to pour into marriage and parenting, with hope. I continue to write and work, with hope. I continue to daydream where to live next or where to travel, with hope. But my hope is not in my own ability or achievement. I follow Christ who exacts the high price of everything, to know the love of God now, to live in love now and forever. Faith necessitates a hope in what I cannot see in full: that God is good. All of me is one line of a story, one thread in a tapestry, one note, one brush of paint that adds to his name, defines his glory. If I accept God is at work in and through me as I seek to be more as Christ, then I am free to trust that any bit of this time on earth (this process) is useful. And then I am free to accept, or even welcome, all the little bits that make up my time on earth: relationships, work, writing, Korea, losing Kenya.

My hope is that as I chase wants and needs, I am not lost to those wants and needs. I trust that God attends the moment and tomorrow. I do not quit my dreams, and I am not lazy at my pursuits, but I am beginning to understand there is a holy posture called whatever: whatever the day is, whatever the year is, let my heart be right. Give me the wisdom, fun, creativity for the moment and again, tomorrow.

Still. After the interview I walked home with Grant. Along the river path I wondered if my levelness was peace or passivity. Am I just totally at peace with what comes next, or am I surrendered instead to familiar passivity, accepting least resistance as the right way forward. Later at home I was in the kitchen and stood quiet. Do I know what I want at all? I am now partnered for sixteen years, raising two children, living abroad for over a decade. I want to teach, so I applied to teach. But is there a deeper want yet? Is there something more for my time? I worked in the kitchen, worked my way toward whatever. That is where I am now. I will continue to think about what to want, peace and passivity, surrender to whatever may come today and again, tomorrow, but now I wait while there are other minds at work to set in place where I fit next year which is, always, right where I am.


Story One. 1769 words. Drafted 25 & 26 November. 

Sustain Creative Momentum

Earlier this year I was reading my colleague David Lee’s manuscript about what it looks like to shape curriculum around design thinking and applied learning. David is finishing his fifth year at Korea International School and has spent a great chunk of his time learning how to implement design thinking in his makerspace and working with his colleagues to develop applied learning transdisciplinary units. He writes about process. One part of the process is to sustain creative momentum.

I paused at that phrase. Sustain creative momentum. I wrote it at the top of a page in my notebook. And in the time since, I’ve turned the phrase over in my mind, written it in the middle of my writing practice, considered what it means to sustain creative momentum when I don’t know why.

This transition year is tough. I expected my role as a school wide utility teacher (I’ve stepped into JK and AP rooms) to afford me more creative energy to write – after all, as a substitute I don’t plan or grade. But just the move to Korea made everything new: neighborhood, routine, transportation, food, apartment. And at school I am constantly in the middle of new situations: an age group I haven’t taught before, a subject I don’t understand, another teacher’s space. While I might be able to leave school at school (I try), our family life is a flux of whatever any one of us is dealing with re: transition, change. So much about this move is good but the difficult parts feel like absolute disaster.

One of my personal disasters is writing. The other night I told Justin that I am not working as I expected to, not starting anything new, just sorta picking at work that’s done, sending revised pieces out with the slimmest hope any editor decides to print one of my essays or stories. When I sit to write, I journal or pray. I’m fortunate to write/ edit a little for the school and I don’t discount that work as useful or good practice. But years ago I decided writing matters enough to me that I want to keep at the craft. More, I decided I want to share what I write. This year I am not doing much of either. And that makes me sad. I cannot develop my craft without developing my craft. I doubt I will touch art if I don’t write prolifically. But this year I thought would deliver flow is as fragmented as any other so when I read

sustain creative momentum

I knew that’s what I need to do as a writer, but how?

I have a project. In a week I will probably think it’s the stupidest thing I could do with my time. (Looking at a file of unpublished stories I sometimes think how great a cook I could be if I quit bothering the words). But I will do this project because it will teach me something I don’t know yet. This project is manic. But whatever. For the month of May I will write daily and post 500-1000 words on the odd days. Narrative and/ or poetry. Stand alone or serial posts. Personal, outlandish, boring, safe, fun. I’ll pick up and drop themes. I’ll probably whinge. For sure I’ll write a lot of junk and it’s a little frightening to think of spending a month being less precious about what I toss up on this space but whatever. Really. This project is about choosing to sustain creative momentum when I don’t know why.

Rules

  1. Have fun most of the time
  2. Experiment: structure, tense, POV, syntax & usage
  3. Reuse ideas but don’t pick at old drafts
  4. Daydream draft
  5.   

At some point during the month I’ll add a fifth rule. I can already feel my shoulders tightening, a slight pull in my neck at the anticipation and dread of making this project work, and a stone in my belly at the thought that this month, like so much of my other writing, will only pile on the practice while failing to call out a fuller writing life. I am good at calling my pessimism or apathy realistic and I am good at cutting tiny sprigs of hope from my heart. This year, this wonderful and tough year in a new country, this year of feeling out of place or inadequate, this year I occupy my mind with sorrow and fear, this year of faded, renewed and early friendship; this year wondering why I am here – this is the year I realized I am missing deep hope. I want hope like a wildflower garden spilling down a hill or crowding a yard. My hope is more like a row of marigolds edging the vegetable garden, more practical than pretty, present because I’m supposed to have hope, but kept in line.

I want to practice hope this month. I practice craft with the hope I write art one day. I draft with the idea someone will read this piece and respond. But those tiny sprigs are crowded by stalks of fear and doubt. What happens if I decide to write without any expectation beyond: practice craft, have fun. What happens if this month I hope for thousands of words and two or three really good starts? What a nice, safe hope. What happens if this month I hope for a clear idea of what comes next for my writing work? Start before you’re ready. This month I will sustain creative momentum, with hope.

(915 words)

Part One Of Leaving Kuwait: I Tried On Hope And Went To A Job Fair

I tried on hope. I tried on fearless hope. And for a few days I felt like the name-it-claim-it-Oprah’s-secret kind of people might really have something, like the send-it-out-to-the-universe people might be right. I was high on hope. I thought maybe I’d been missing something essential in my faith for decades and now, look, I was unstoppable and sure and able because I wore hope. Not long ago, my friend sent me one of those daily affirmation emails that landed in her inbox. The message was to change your narrative. I’d been thinking about that in light of faith, reminding myself of who I am in Christ. We tell ourselves a lot of stories about what we can or can’t do, about what we should or shouldn’t want. We need to learn true stories.

So I tried on hope. I have this faith that says I can do all things in Christ. I have this faith sewed up with hope and trust. But for years I worked hope in private, praying for healing or joy or contentment in my own body and mind. And when I admitted hope to others, I couched assurance in maybe later or probably not. Like I know it’s a long shot to write a book in Budapest or run a hundred miles or climb Kilimanjaro but I still hope I do.

Maybe I confuse hope and dream. A dream is like spun sugar. Even dark dreams are made of spindly wisps. But hope is a cinder block. Hope has weight and sharp corners. Your arms get tired and scraped carrying hope around. That’s it then. Hope isn’t a fuzzy shawl that imbues you with certainty. Hope is a cinder block that cuts into your palms. True story: hope is hard to carry. I must be doing it wrong.

I want to live in Nairobi. This desire surprised me a year ago. We visited my brother and his family and all I could see was green trees and red clay. My sister-in-law took us to an outdoor market where vendors expected bartering but charged a Western price anyway. I ran the hills each morning, up and down quiet streets lined with gated properties. I found alleyways and narrow paths cutting through fields. When we drove out of Nairobi, I imagined us in our own boxy jeep exploring the plains. I have this spun sugar dream of a linen shirt, kicked off hiking boots and a cold beer. I have this spun sugar dream of running to the edge of quiet and standing very still under sky unrolled by God. I have this spun sugar dream of my kids climbing backyard trees, eating thick skinned fruit.

I made Nairobi tangible. So when Justin and I decided this is our last year in Kuwait, I saw us going to Nairobi. I saw my kids growing up with cousins. I saw weekend morning coffee with a splash of Baileys. I saw Justin biking to work. This is about the time I decided to try on a fanatic brand of hope, making Nairobi something that just had to happen because it had to happen because I was hoping hard enough that this city was our next home. And I thought God had to give me this. I wasn’t asking for France or Argentina. I was asking for a country with fire ants and the nearby threat of al-Shabaab.

We had an opportunity. Our first interview in eight years. Later, I’d think how underwhelming we were, lacking concision and polish. Later, I’d cry because I supposed I’d wanted this place too much.

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