Kleines Cafe, Vienna

This is an essay draft, the ideas from a late morning coffee. Verb tense is a small mess. I need to read the whole thing aloud to hear what I want it to sound like. This next school year will very likely be our last in the Middle East and lately I’ve been feeling more afraid than hopeful for change. Also, this summer I’ve been seeing pregnant women, babies and toddler every third step and that’s turned over more thinking about my early motherhood, a time that remains lovely and difficult to remember. Anyway, there might be something to this start. I’ll find out if I go back to it in a month or two.

The online reviewers give Kleines Café 4.3 stars. There’s a note about Kleines being a café locals go to and a picture of a latte in a clear mug so you can see the band of espresso between the whole milk on bottom and the frothed milk on top. That was the latte I ordered after finding the place a couple of blocks off Stephansplatz. I navigated what looks like easy turns following the blue dot on Google maps and then, even with the café in front of me saying Kleines Café with two doors open to its small rooms, I looked at the map and saw the pin dropped maybe fifty meters further and wondered if there were two Kleines Cafes in the same block. Be where you are, I told myself, and stepped into an alcove of a dining room.

I was going to write. When you go somewhere to write, be a little picky about where you sit. I like to sit at the side or back of a room but not with my back to others because the pause between thoughts or paragraphs is a good time to see what people are like. There really isn’t a back or side at Kleines. You go in and you’re in the middle of the whole room wherever you sit. Cracked, cigarette scarred vinyl upholstered benches line either side of the room. A bar with three wood backed swivel stools is where the waiter double checks orders before carrying trays out to the patio tables where most patrons sit. I could have sat outside but the tables and chairs are wood slatted with spindly metal legs standing on cobblestone. I don’t like to write at a wobbly table. I sat near the door at a marble topped table with enough space for my latte, water and notebook if I set the sugar, salt and pepper and ashtray on a chair. There were two more tables on my side and then a few steps down to the toilets and a narrow hall opening to a second room. I don’t know what’s in that second room. Maybe another bar. The kitchen has to be back there somewhere too.

I ordered a latte and opened my notebook. All morning I’d thought about the regret I have, for a couple of years when the kids were little and I wavered, insecure and angry but recognizing those currents and seeking security and peace in God. I’ve been thinking about this a lot because I’m enjoying my kids more now than when they were babies and sometimes I feel bad about that. Some of the new joy is attributable to relative ease of having school age children who tie their shoes, wipe their bottoms, read books and play Lego. And some of the joy stems from a shoot of security I root daily, that I am loved by God. Maybe it was my age or being a new mom, but when the kids were babies I looked at myself and saw this vein of pride that for years had pushed me to seek the approval of others.

Parenting is humbling. And parenting in a social media blitz of links and posts is devastating if you aren’t sure of your own purpose. Even if you are sure. So I opened my notebook to write more about this. I didn’t figure it out. Instead I sort of paralyzed myself playing a highlight reel of my approval seeking ventures.

My daughter strings together nonsensical lyrics, walks through the street pretending she’s a husky, wears polka dot socks with stubby blue leather boots and carries a smartphone made out of a Tic Tac box covered with stickers. I sat in Kleines Café thinking I can’t watch her lose any of that sureness. I thought of my mom too who was my age, thirty-five, when I was a sophomore in high school. What did she see when she watched me walk out the door wearing old corduroys I’d salvaged from St. Vinny’s thrift shop? Did she think I was making it okay? When I was fifteen I had a shell of superiority, not too different from armor most teenagers wear. Now, at thirty-five, I get a little nauseous at the thought like me because it’s a heavy chain to drag through all my places and relationships.

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A Long(ish) Narrative Poem

This morning my daughter and I went to a cafe. She ordered a hot chocolate and scone. I got got a flat white and sparkling water. We spent a couple of hours sitting across from each other. She read a book, drew pictures. I wrote the start of an essay that might never become an essay and, feeling like I’d wasted pages and needed to salvage the morning, I returned to my short narrative poem to draft its expansion. When I write / revise poetry, I like to start in my notebook. I also like to stare out windows or at ceilings.

Margaret (Margit) Island Run

She wakes just after four when the sky
leaves night. When she cannot sleep again
she puts on running shorts and a bright coral
shirt made to feel like nothing at all, even
when it’s hot. She finds her shoes, unlocks the door
and walks three flights to the street, turns left
on a street of antique (antik) shops, galleries,
cafes. There are stoops wide enough for sleeping
homeless men (she counts three but returning
an hour and a half later, only one, arms crossed,
eyes closed like an infant, and where the others
were, the smell of urine). She crosses the bridge.
There are trails of urine from dogs or
men on their way home and a broken bottle,
its glass pieces catching sun, precise like
cut jewels. A pack of drunk young men cheer
when one of them runs backwards, keeps
her pace for ten or fifteen meters.
She looks at him, waiting to see what
the joke is but that’s it. He smiles, winks.

On Margaret (Margit) Island she passes
a woman bent over a metal bin
retrieving wine and beer bottles she
stands in a white plastic bag. There are other
bags full of upright bottles. Different
heights, shades, shapes. All open-mouthed, empty.
Maybe every Sunday this woman digs through
bins to pay each month’s electric or water.

She runs a path that loops the island, sees
a couple who is like a performance piece:
standing toe to toe, his head bent to hers,
unmoving. She passes another couple
kissing on a bench, limbs overlapping. And
then the path is empty for a stretch
and she goes to a quiet place (breath, footfall),
running steady, keeping her feet straight,
seeing the work of her body in her mind:
counting her cadence, reminding her hip
flexors and glutes they are made to move
like this and faster, telling her core be
strong. She comes together beautifully
on mornings like this, when she gets quiet
enough to listen hard, when she lets the work
of her limbs loosen her mind, calm her spirit.

A Short Narrative Poem

An exercise from The Practice Of Poetry. Parameters: 11-15 lines, 9-11 syllables / line, no rhyme. Varied sentence length.

She wakes just after four when the sky
leaves night. When she cannot sleep again
she puts on running shorts and a bright coral
shirt made to feel like nothing at all, even
when it’s hot. She finds her shoes, unlocks the door
and walks three flights to the street, turns left
on a street of antique (antik) shops, galleries,
cafes. There are stoops wide enough for sleeping
homeless men (she counts three but returning
an hour and a half later, only one, arms crossed,
eyes closed like he means it, and where the others
were, the smell of urine). She crosses the bridge,
meeting a pack of drunk young men who cheer
when one of them runs backwards, keeps
her pace for ten or fifteen meters.
On Margaret (Margit) Island she passes
a couple who is like a performance piece:
they stand toe to toe, his head bent to hers,
unmoving. She passes another couple
kissing on a bench, limbs overlapping. Now
each are part of Sunday morning together.

Flow & Revision Work (!)

This year I thought a lot about flow. I really wanted to flow. I was annoyed how easily distracted I am. Especially when I sabotage myself. More BBC? More TV? More recipe feeds? All the while thinking my writing never goes anywhere. So this afternoon I had this clear moment. There’s a story I need to revise and I’ve been thinking about it all week because I care about how it’s told. And this afternoon I got out comments from a few friends who read the piece and started drafting expansion in my notebook and then moved over to my desk to open the file and actually make my writing go somewhere.

All the before thinking helps. I mull pieces. So I’ve had this piece in my head off and on for over a year since I drafted it. I’m not done, but I spent two hours standing, typing and thinking at my desk. Claire was on her bed reading Boxcar Children. Grant pushed his giant green dump truck back and forth. Justin was in the hall sawing and hammering. Then all three of them decided to move the keyboard from one end of the apartment to the other and Claire started a dance party. This is the space I have and I kept at it, cutting and expanding, all the way to the last scene which needs more help and focus than I’ve got in me now. But what happened was I looked at the clock and realized I’d been at my desk for two hours. My jaw dropped. I didn’t think that happened, the jaw dropping. But now I know (again) I can flow with Claire playing boogie woogie and Grant making truck / plane / train noises and Justin taking a passing kiss.

Here’s a sample of my revision work. The original first:

Dawn ran north, each step sparkle of pain on the top of her foot. She turned on a narrow crowned road and ran toward the county line marked by a small green sign. There was a corner she called hers. She’d found it on one of her first long runs, when she’d been out of breath and stopped to stretch. She’d looked up and seen that no one was around. No long gravel drive to a hidden house, no field entrance. She’d hear or see a car in time to resume running or duck into the windbreak. Once or twice a month, on a weekend run, she came here to think. For ten minutes or twenty, she’d look up at the sky or cut through the windbreak to stare at the field or squat to examine tiny rocks tarred to the road.

It was almost noon when Dawn made it to the corner. She cut into the windbreak to relieve herself, pulled her running tights up as a car passed. She watched from the windbreak as the vehicle dipped and surfaced on the retreating hills. Her foot was broken. She was sure of it. She flexed the toes, toward and away from her shin. Knowing what would happen – a splinter of white – she jumped on the injured foot. A gray knot in her stomach now and the orange fringe at her shoulder. She was five or so miles from home. She had limped most of the last mile here.

Maybe a rest, she thought, stupidly. A rest wasn’t going to heal the invisible fracture on the second metatarsal. She run through pain before. Splintering shins, a rite of her first marathon training. Deep hip pain that came and went. Tight calves. A tight piriformis that tugged her gait to one side. Sparklers under her kneecaps. A knot just under her left shoulder blade. Singing hip flexors. Tendonitis in her ankle. And now her foot. Dawn hopped on the injured foot one more time, to be sure.

And the revised:

Dawn ran north, each step a sparkle of pain on the top of her foot. She turned on a narrow crowned road and ran toward the county line marked by a small green sign. Up ahead, at the top of a slope was a corner she called hers. The t of Northpoint and Portage. She’d found it on one of her first long runs, when she’d been out of breath and stopped to stretch. She’d looked up to see that no one was around. On one side of Northpoint a long windbreak of scrub pines protected a corn field. On the other side, maples and oaks. No long gravel drive to a hidden house, no field entrance. She could hear or see a car in time to resume running or duck into the windbreak. Once or twice a month, on a weekend run, she came here to think. For ten minutes or twenty, she’d look up at the sky or stare at the field or squat to examine tiny rocks tarred to the road. During the fall, she ran there to see the maples turn yellow and red, the oaks turn orange. All winter, brittle rust oak leaves held onto their twigs while the maples reached knuckled fingers to the white sky. Now it was spring and Dawn watched the ditches for new grass.

It was almost noon when Dawn made it to the corner. She cut into the windbreak to relieve herself, pulled her running tights up as a car passed. She watched from the windbreak as the vehicle dipped and surfaced on the retreating hills. Her foot was broken. She was sure of it. She flexed the toes, toward and away from her shin. Knowing what would happen – a splinter of white – she jumped on the injured foot. She was five or so miles from home and she’d limped most of the last mile here. Once more she jumped on the injured foot and let out a cry. The fringe drifted a little over her shoulder and she swatted at it. She took off her shoe and pressed her thumb the length of each metatarsal.

Maybe a rest, she thought, stupidly. A rest wasn’t going to heal the invisible fracture on the second metatarsal. She ran through pain. Splintering shins, a rite of her first marathon training. Deep hip pain that came and went. Tight calves. A tight piriformis that tugged her gait to one side. Sparklers under her kneecaps. A knot just below her left shoulder blade. Singing hip flexors. Tendonitis in her ankle. And now her foot. She put her shoe back on but didn’t pull the laces tight.

Now wasn’t that a fun two hours!