One From Africa

When Justin said he’d like to spend Christmas in Kenya, I told him to have fun and asked if he was taking the kids. He said he meant all of us, we should all go to Kenya. I knew that. I didn’t want to go. I had terrible reasons why. Travel isn’t rest. I like our Christmas in Kuwait. We don’t have all our shots. But I left the decision to Justin and he booked our flights with me standing over his shoulder thinking this was iffy at best. The weeks leading to departure were overfull. I wanted a break that looked like me alone in the apartment for days on end, sleeping. I snapped at Justin. I bought gifts and piled them on the dining table, then spent the day of our flight packing suitcases and crying because I wanted to want to go rather than what it was: nudging my body closer to boarding a plane in the middle of the night.

I was supposed to go to Nairobi when I was sixteen. I was going to stay with a missionary family we knew. My head was full of God but I thought I’d hear better in Africa, sitting on a flat rock watching the sunrise. There, God would tell me my whole life. During the months leading up to that summer, I decided I might live in Africa forever. I don’t know what I thought I’d do. Something holy. Maybe I quit trying to hear God clearly in Wisconsin because I was sure He was louder in Africa. But then the trip got nixed and I quit writing to my missionary pen pal because I was mad her anorexia got my God trip cancelled. Her whole family returned to the States for her treatment and I remember thinking, Just eat dammit. In the years following when I’d see  updates from her family, I’d look at this skinny young woman’s picture and think she got the better end despite illness and all I got was an average summer before senior year when I could have been doing so much for the Lord. (Forgive me).

Last spring when my brother told me he’d got a job in Nairobi I thought of my lost God trip. I wrote about it then, surprised by the untapped bitterness. I thought maybe I’d visit my brother, maybe someday, but when Justin bought the tickets and I spent three months thinking it was an awful idea, I couldn’t figure out what was going on in my heart.

When I am in a plane, I yield. I just go with the two possibilities (we land or we don’t) and think how sad for whomever has to clean my apartment should the latter be my fate. On the flight from Ethiopia to Kenya, I thought about who I was twenty years ago and why I thought God would speak louder in Africa. I thought about God’s faithfulness, how he spoke to me in Wisconsin and Colombia and now in Kuwait. I am learning to listen the first time. I am learning to trust. And the plane tilted a little so I could see the earth below, the Kenya I’d missed two decades ago, and God worked my heart in a way I’ve got no words for. I looked at the green land and tears came and tears kept coming the first week here and this the second week – tears for so many things, but also for this: surprise and joy at being here, in Kenya so long after I’d first wanted the land, and the sudden planted desire to be here. I want more.

I am sitting cross-legged in pants dirty with red mud, wanting more. And that is only of God.

Cut & Shuffle Poem

This exercise by Jack Myers is from The Practice of Poetry edited by Robin Behn and Chase Twichell.

  1. Write out two completely unrelated and emotionally opposite six- to ten-line situations depicting: a physically inactive or quiet scene; a physically active or emotionally charged scene.
  2. Then alternate the first line or two from scene 1 with the first line or two from scene 2, and then the second line or so from scene 1 with the second line or so from scene 2, and so forth, until all the lines from the two scenes are roughly dovetailed into a single stanza.

By alternating the actions and characters from the two separate scenes, a third, implied quality arises. This will be true of any two things placed side by side: the creation of a third entity.


I completed the initial exercise in fifteen minutes, same as I gave my students. Later I spent another ten or fifteen minutes playing through versions of the final poem.

My Quiet Scene

I read a book I’ve read before
Sitting in a block of sun
turning one page
closing the book
because it isn’t doing anything
and I want to think instead

My Loud Scene

In the backseat the kids fight
She pinches his arm
he yells, Give her a consequence
She says sorry like she’s not
I shout, Be quiet
I shout, I want peace

Dovetail

I read a book I’ve read before
in the backseat the kids fight
Sitting in a block of sun
She pinches his arm
turning one page
he yells, Give her a consequence
Closing the book
She says sorry like she’s not
Because it isn’t doing anything
I shout, Be quiet
and I want to think instead
I shout, I want peace

Revised for stanza, tense, diction, cuts, capitalization, punctuation – and still untitled after all that!?

I read a book I’ve read before
In the backseat, the kids fight,
sitting in a block of sun

She pinches his arm –
turn one page –
he yells, Give a consequence

Close the book.
She says sorry like she’s not
because the book isn’t doing anything

I shout, Be nice
I want to think
I shout, I want peace

Church

Last of the single syllable vignettes. I have an order in mind for the pieces. After revision, I’ll post the all four as I want them read. But now, the last draft. As with the sea walk, I’ve more to say about church. But this is the simplest of starts.

House Church

We hear of a house church, go for a month or two. Our girl is small. She cries and I take her up the stairs to a bright yard fenced by shrubs. We wait. There is a cow tank in the yard. We quit church.

When we go back to the house church we have our boy too. We are tired each day. While the church sings I nurse my boy and give my girl bread and fruit. I eat truth. I am still tired.

God wants all of me. There are parts I do not yield. I think I want to. I can’t see how. The church sings, lifts hands, shouts. I sing, lift my hands. I weep. I have this hurt I want healed. I shout for that, when I am in the car with my girl and boy in their seats. I drive and shout I want this hurt gone. This hurt has a deep root and takes years to heal. I ask. God is firm and kind. I ask. He does not stop a good work. I ask for love and joy. I need love for my girl and boy. I want joy for my day.

At church there is a song or word or verse and I break. All week this goes on. A song or  word or  verse and I fall. This is what it is like to be made. I want to quit. I beg for more love, more joy, more peace.

I let go more.

One day the church can’t meet in a house. It’s a law so we leave the house and move from one hall to the next. The halls aren’t clean, but we go. The church sings, lifts hands, shouts. I still can’t shout. But I want to know how much is all.