May Revision: Essays That Nearly Killed Me

I revised five pieces this month. Let me tell you a little about each, most waiting for a better title than their topics:

Comparison: I pulled this piece from a long rant, bringing into focus my insecurity about parenting. This insecurity comes and goes. And that made revising this piece difficult: while I have hope for myself and my children (let us quit the comparison game!), I still wobble. There isn’t a tidy summary to this unflattering view of me.

Envy: The second piece pulled from the aforementioned rant, with an eye on wanting what I can’t have. For years I was sure I shouldn’t have become a mom because I can be so selfish. I looked at the childless people with an envy that occasionally bordered on hate. In this piece I write about contentment. I am really sad for that stretch when I couldn’t see the joy I possessed because my eyes were on what I didn’t have.

Rose: Rose is a woman whose death brought my own sin into painfully sharp focus. She was diagnosed with stage IV colon cancer and died within a month. And that month for me was perhaps the peak of my anger and discontent at being a wife and mother. I can see that now, a little over a year away: a shift begun when I thought about this mom who knew she wouldn’t see her eight year old son turn nine. The challenge of returning to this piece, and a couple of others, is that I wanted to write about the experience as I see it now, or as I have (or haven’t) grown since.  Instead, I kept the piece in present tense, editing to tighten.

The Year After Grant: Also about a year ago, I wrote two essays back-to-back about the year following the birth of my son. That year was wonderful and awful and I was looking for a way to say all of it. With this revision, I combined the two pieces. The challenge was finding an appropriate tone. I’m letting this piece sit right now: it’s stronger, but not finished.

To An Affair I Haven’t Had: A Confession To My Husband: Oh, the one piece with a title. Also written a year ago. This essay partners with a couple of my fiction pieces. I wasn’t sure what to expect when I returned to this piece: it is hot, raw, sad. I center on the fight of flesh and spirit, knowing right and wanting wrong (Romans 7). I returned to this piece less concerned with keeping the details of my own situation accurate, and more concerned with writing a work that encompasses the absolute despair and suckiness of wanting an affair you can’t have. And shouldn’t have!

Title of my first collection: Wanting What I Can’t Have. Joking. Kinda. Sometimes in the middle of WP or drafting, I write God. I might follow that with a quick prayer like help or I might take a page to pour out the spiritual or faith side of topic. When I returned to these pieces, I did pray. Because I get shaky writing these things honestly, now with the intent to share. I am fast reaching the point where I don’t care what ugly bits of me you see, so long as you also see my faith worked out. So during this month of revising (and drafting) tough pieces, I returned to this question: what purpose does my transparency serve?

Out the Window

Most of today’s WP looked like a to do list, but I returned to one of my standby prompts

Out the window

for a page. Try one of these approaches:

Write about the window you’re in front of right now. What’s out there?
Remember a window. Where were you? Why were you looking out? What did you see?
Make a list of 101 things you’ve seen out a window.
Don’t forget car windows, train windows, plane windows!
And maybe: A time you chucked something out a window.

When Starting Is Enough

Sometimes I open a new document and vomit words all over the page. I do this when I’ve wandered (pushed, dragged, trudged) through a topic so many times in my notebook that I simply need a change of venue: the laptop. Clean font dresses up messy thoughts. Sometimes these purges turn into a real essay: when I spent three hours madly hacking my way through the topic of comparison last November, two coherent drafts (eventually) emerged. Usually I open a document to poke around for a tidy way of saying what I really want to say. But sometimes I don’t find a tidy way of saying anything. Then I save the file and return to my notebook.

I didn’t find what I want to say about

When different is better re: parenting

because the phrase presents too much for me to manage, even with a clean font. Just starting the piece was enough. I am not finished thinking about the pressure we place on our parenting or the presentation of good parenting or pride that wants my kids to behave so I look like I’ve got this gig figured out. I’ll keep wandering (pushing, dragging, trudging) through my notebook.

And related: Jennifer Senior’s book All Joy and No Fun: The Paradox of Modern Parenthood is on my reading list. Check out her TED talk:

When Different Is Better

Because I have spent too much of May revising introspective essays and because I still overthink

Comparison
and
Envy

today’s WP centered on:

When different is better.

It’s an uncomfortable thought. If you spin that through individual perception:

When different seems better.

Maybe that gives a little wiggle room for pride. I wrote about when different is better re: parenting because the primary focus of my essay revisions is parenting.

But when different is better wants its conclusion:

Then what?

 

Running Still

I might be a revision junkie. I reread yesterday’s post and saw necessary changes. I’m not revising the entire post, but here is one paragraph that deserves better:

We have sweet spaces of time built for daydreaming and thinking. In college I began running longer and longer distances, mapping twenty-mile routes through the middle of nowhere. I ran with a tape deck once because my CD player wouldn’t fit in my Camelbak. Yes. A dubbed tape. But aside from that anomaly, my long runs were open to whatever thought flitted through my mind. I counted to a thousand, and then back down. When I started using the time to think about pieces I had in workshop, running and writing became more tangibly connected.

Nothing terribly wrong. But like I said, this paragraph deserves better. I skipped over the center of it: that running gave me space to space out. That’s it, really. So why mention the one long run with a dubbed tape? Oh, and I don’t like the word “flitted.” I don’t know why I used it. Maybe some thoughts flit, but a lot land with a thud or peek around the corner.

So I spent about forty minutes thinking and writing about when I returned to running in college and what made that routine such necessity. I’ve written about my running before. This may be another start:

In college I began running longer and longer distances, mapping twenty-mile routes through the middle of nowhere. I drew maps on notebook paper and copied road names from the Gazetteer, consulting the note at dead intersections of farmland and sky. The running, even shorter distances in town, gave me undistracted time to think. I counted to a thousand and then back down, again and again, counting with my breath. I took interruptions.

Running and writing connected. I had a classmate who said she composed the best forgotten essays on her marathon training runs. Running was a piece of paper and pen, an hour or so to write, cross-out, rewrite, find the best word. I found and lost poetry on road and trail. I gave characters an audience and went home with the next scene for a workshop piece.

I also had a lot I didn’t want to think about. I was hearing truth, but not listening. Running took me far away from campus and my house. I hit my stride, thinking or not thinking. I found stretches of abandoned road and stopped to stare at the telephone wires. I might stand in one place, listening, for ten or fifteen minutes, sweat drying as salt on my brow. I remembered the goodness of being quiet.

This practice became necessity. I started praying again; I wanted to hear God. Running became my way of being still and knowing. Running with only your heart and mind to hold is as meditative as sitting still. There is something spectacular about working your body, finding a steady pace, and letting your thoughts come and go.

Better, yes?

Daydreaming as Drafting

Daydreaming was my first practice at drafting and revision. I remember car rides to the grocery store, sitting in the backseat of the station wagon. I remember my daydreams: waking up one morning with curly hair like the girl in the magazine ad for Tide; hunching over the handlebars of a skinny-wheeled ten-speed bike, racing downhill; creating a new wardrobe of primary colors and white Keds. Behind the wheel in the front seat, my mom might have been daydreaming too, the back roads familiar enough to let her mind wander.

We have sweet spaces of time built for daydreaming and thinking. In college I began running longer and longer distances, mapping twenty-mile routes through the middle of nowhere. I ran with a tape deck once because my CD player wouldn’t fit in my Camelbak. Yes. A dubbed tape. But aside from that anomaly, my long runs were open to whatever thought flitted through my mind. I counted to a thousand, and then back down. When I started using the time to think about pieces I had in workshop, running and writing became more tangibly connected.

We often return to the same daydreams or thoughts, just as in our notebooks. In the back seat, the underbrush or open fields flying by, I could start over: change small parts of my fantasy, reconstruct dialogue.

But give yourself those sweet spaces. I made a list of times or places where I can let my mind wander. Do the same. Unplug for five or ten minutes of waiting in a line, turn off the radio on your drive home or keep the TV off for an evening. Let quiet and boredom invade. Make a practice of this. Find a question or an answer. Write a story in your head and take it to the page. Pray.

A while ago, I read “In Defense of Boredom” by Carolyn Y. Johnson in The Week, first published in The Boston Globe as “The Joy of Boredom.” I read it with a kind of AmenPreachIt response. Take a moment to read the piece.

A Single Set of Circumstances

The first creative writing course I took in college used an early edition of What If? Writing Exercises for Fiction Writers by Anne Bernays and Pamela Painter. After college, I returned to the book only occasionally. My stories were terrible but I kept writing , unguided. When I began teaching creative writing to high school students, I found the third edition of What If? and have used the prompts to draft and revise my own work since.

Here is one I love:

Write five mini-stories (limit: 200 words each) to account for a single event or set of circumstances, such as a man and woman standing on a city sidewalk, hailing a cab. Each story should be different – in characters, plot, and theme – from the others.

When I use this prompt in the classroom, we make a long list of situations. A year ago, a student offered

Three teenagers in a gas station

And I wrote five mini-stories. I titled each after towns I knew in Wisconsin. This week I zipped through a revision of each piece. I like the idea that a series of mini-stories could stand as a whole piece. My five are not strong enough to warrant that yet, but the point is: I’m practicing revision. And enjoying the practice!

Below, are two of the pieces. Read only the revisions or take a look at the drafts too, to see changes.

(Revision) The Pitstop
The joke is the whole town is a giant truckstop. North-south and east-west interchanges make a cross of cheap motels, gas stations and a Super Wal-mart. Mike, Jessie and Jennifer started hanging out at the Pitstop their freshman year. They made friends with Delores and Mary who called Mike, Jessie and Jennifer “young things” and made up for burnt coffee with complimentary pie. The five of them, and whichever trucker cared to weigh in, shot the shit.

At some point in the evening, Delores would step out for a cigarette and then let Mary have her turn. “This place was better when we could smoke,” Mary said. Delores coughed and pointed at the three young things. She said, “We’re saving their young lungs.” Mike said he liked a little gravel in the voice and the two waitresses laughed like it was the best joke they’d heard.

When Mike turned eighteen, he stopped at the Pitstop’s front counter, showed his license and bought a pack of Marlboros. At the back counter, when it was time for Delores to go have her smoke, Mike asked to join her. “You’re a baby,” Delores said. Mike shrugged. They stood in the damp alley next to a Dumpster. Delores offered her lighter and Mike sucked a lungful of smoke, coughed. Delores didn’t laugh or look away. When Mike quit coughing, he looked at her, his eyes watering, and said, “Don’t tell.” Delores took a long drag of her own, held it for a moment, exhaled in a slow stream. “Tell what?”

(Draft) Tomah, Wisconsin
The whole town is a giant truck stop. That’s the joke. North-south and east-west interchanges make a cross of cheap motels, gas stations and a Super Wal-mart. When they were freshmen, Mike, Jessie and Jennifer started hanging out at The Pitstop on Friday nights when the rest of the school was at a football or basketball game. They made friends with Delores and Mary who called Mike, Jessie and Jennifer “young things” and made up for burnt coffee with complimentary pie. The five of them, and whichever trucker cared to weigh in, shot the shit. At some point in the evening, Delores would step out for a cigarette, return to the counter and let Mary have her turn. “This place was better when we could smoke,” Mary said. Delores coughed and waved a hand at her friend and then pointed at the three young things, “We’re saving their young lungs.” Mike said he liked a little gravel in the voice and the two waitresses roared. When Mike turned eighteen, he met Jessie and Jennifer at the Pitstop; instead of walking through the gas station to the restaurant in back, Mike stopped at the front counter, took out his license and bought a pack of Marlboros. At the back counter, when it was time for Delores to go have her smoke, Mike stood and asked if he could join her. “You’re a baby,” Delores laughed and Mike shrugged. They stood in the damp alley next to a Dumpster. Delores offered her lighter and Mike sucked a lungful of smoke, coughed. Delores didn’t laugh or look away. When Mike quit coughing, he looked at her, his eyes watering, “Don’t tell.” Delores took a long drag of her own, held it for a moment, exhaled in a slow stream, “Tell what?”

(Revision) Ric’s Kwik Trip
It took a week for Mrs. Nefger to figure out what the three boys were doing. They showed up during the afternoon lull and walked up and down the aisles giggling, occasionally bending or kneeling and then standing quickly, glancing her way. She sat behind the counter flipping through a magazine or checking the tobacco inventory. Each day the boys stopped at the back cooler for neon Gatorades. The medium size cost $1.39.

One day Mrs. Nefger was helping a customer find baby wipes when she noticed the price stickers on the shelves. The thirty-nines were circled in green Sharpie. The next afternoon, when the boys were halfway down the chips aisle, Mrs. Nefger called from her perch, “Hey, you. What’s with the thirty-nines?” The trio froze, looked at one another, then at Mrs. Nefger. She said, “Yeah, I noticed. Is it some kinda pervert thing?” One of the boys blushed up to his white blonde hair, shook his head. “Then what is it?” she said, stepping down from the stool, leaning on the counter. The one wearing a hat pointed thumbs at the other two and said, “We’re all thirteen, that’s all. Adds up to thirty-nine. We call ourselves Thirty-Nine.”

Mrs. Nefger could have said that was the dumbest thing she’d ever heard, but didn’t. Instead she half smiled. “Better than the Three Musketeers.” The baby-faced one giggled. She said, “What are you gonna do when one of you turns fourteen?”

(Draft) Orfordville, Wisconsin
It took a week for Mrs. Nefger to figure out what the three boys were doing. Every afternoon they showed up at Ric’s Kwik Trip during the lull before commuters stopped for gas. The boys walked up and down the aisles giggling, occasionally bending or kneeling and standing quickly, glancing her way. She sat on stool behind the counter flipping through a magazine when she should be checking the tobacco inventory. Each day the boys stopped at the back cooler and picked neon colored Gatorades to drink on their walk home. The medium size cost $1.39. One day Mrs. Nefger was helping another customer find baby wipes when she noticed the price stickers on the shelves. The thirty-nines were circled in green Sharpie. The next afternoon, when the boys were halfway down the chip aisle, Mrs. Nefger called from her perch, “Hey. Yeah, you. What’s with the thirty-nines?” The trio froze, looked at one another, then at Mrs. Nefger. She said, “Yeah, I noticed. Is it some kinda pervert thing?” One of the boys blushed up to his white blonde hair, shook his head. “Then what is it?” she said, stepping down from the stool, leaning on the counter. The one wearing a hat pointed thumbs at the other two and said, “We’re all thirteen, that’s all. Adds up to thirty-nine. We call ourselves Thirty-Nine.” Mrs. Nefger could have said that was the dumbest thing she’d ever heard, but she didn’t. Instead she half smiled, “Better than the Three Musketeers, I guess.” The baby-faced one giggled. “What are you gonna do when one of you turns fourteen?” The three boys shrugged; one of them said they had awhile yet.

 

Nanofiction!

I gave myself two or three sentences per piece. I also titled each piece; titles seem as essential to nanofiction as to poetry. Writing these itty-bitty stories was fun. In order of their composition:

Nothing Left to Talk About
She said I make everything about me, even this. I said that was true.

Because We’ve Seen Worse
One night while we were on the balcony, an SUV jumped the curb and smashed into a palm tree. We could see the whole thing without standing: the palm crashing into three lanes of traffic, cars braking and spinning, the police coming from Fintas. We only got up when our drinks were finished.

The Piano in the Sky
Sadie hadn’t studied but passed with a B. She walked around campus, out-of-body, waiting for the score to even. By Thursday she was afraid to get out of bed.

Wedding Toast
Jack said all the wrong things, in a row. Only the deaf great-aunt raised her glass when he said, “To the Mr. and Mrs.”

Home From the Amazon
Two women met Cal at the airport. He held out the laminated card he carried: I had a parasite that gave me amnesia which is why I look confused. Cal wasn’t sure he was allowed to say no when the older woman hugged him and the younger took his hand and kissed his mouth.